Intermediality in contemporary avant-garde cinema: Blurring media boundaries in Jean-Luc Godard’s films

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چکیده

Drawing on the premises of avant-garde cinema (experimentation, transformation, liminality), this paper seeks to examine how intermediality functions as a form experimentation in contemporary cinema. It also bring new insights regarding nature medium and impact spectator. Examples will be drawn from Jean-Luc Godard’s films First Name: Carmen (1983) Film Socialisme (2010).

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ژورنال

عنوان ژورنال: Digital Age in Semiotics & Communication

سال: 2022

ISSN: ['2603-3585', '2603-3593']

DOI: https://doi.org/10.33919/dasc.22.5.2